![]() ![]() A nice touch is that the waveform turns a dark red when you’re really crushing the signal, and remains a soft yellow when applying subtle character. There’s nothing fancy here, the parameters are easy to see, easy to adjust and the visual waveform display indicates how much the sound is being affected. Let’s start with appearance – the interface is almost identical to the brand’s previous plug-in, The Sweeper. He wanted the same results without the endless cables and set-up, hence the concept of Bad Tape. ![]() The effect plug-in was conceptualised by Enrico Tiberi of Denise Audio, who was using an Akai 4000 DS MK2 reel-to-reel tape recorder to press the tape and slow it down as an effect on his audio. With subtle use, this effect can offer some warm, classic sounding tape tones on anything you run through it. Of course, Bad Tape doesn’t solely focus on creating unbearably warped and crushed noises. Instead of telling the world how great the new audio effect is, the company informed potential customers that the focus was on “creating extreme tape artefacts… and man does it sound bad”. Denise Audio took a different route in its marketing with Bad Tape. Make no mistake, though, this little plug-in can be seriously destructive. Bad Tape from Denise Audio may seem fairly innocent upon first glance, with a friendly, simplistic looking interface. ![]()
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